Karl Hofer ( * 1878 † 1955 )

Artist Karl Hofer

Karl Hofer is regarded as one of the most important German painters of the modern era and a key representative of New Objectivity. Born on October 11, 1878 in Karlsruhe, he studied at the Academy of Fine Arts in Karlsruhe and was profoundly influenced by extended stays in Paris and Rome. In his works, Hofer combines classical composition with a modern visual language that is often contemplative and melancholic. His paintings frequently depict isolated figures and reflect the social tensions of the 20th century. During the Nazi era, his art was denounced as “degenerate”, yet after the Second World War Karl Hofer once again rose to prominence and left a lasting mark on the German art scene. Discover the multifaceted works of Karl Hofer and choose your favourite piece from a wide range of motifs.

Biography of Karl Hofer 

Karl Hofer began his artistic training around 1897 at the Academy of Fine Arts in Karlsruhe, where he studied under Hans Thoma and early on developed a clear, classical formal language. Thanks to a scholarship, he spent several years in Rome from 1903 onward, where he immersed himself in the art of the Italian Renaissance and classical antiquity. These influences left a lasting mark on his later style and led to a distinctive fusion of traditional composition and modern expressive power.

In the years leading up to the First World War, Hofer lived for a time in Paris, where he encountered the currents of European modernism. During the war he was interned in France, an experience that constituted a profound rupture in his life. After returning to Germany, he developed an increasingly independent visual language situated between Expressionism and New Objectivity. In the 1920s Karl Hofer established himself as one of the most important German artists of his era and, in 1923, was appointed professor at the Berlin University of the Arts.

With the National Socialists’ rise to power in 1933, Hofer was dismissed from his teaching position, and his works were branded as “degenerate.” Numerous pieces were removed from museums or destroyed, severely restricting his artistic activity. Despite these difficult circumstances, he remained true to his artistic convictions and continued to work in seclusion.

After the Second World War, Karl Hofer returned to the public art scene and became a key figure in the cultural reconstruction of Germany. He once again took up a professorship in Berlin and championed the renewal of modern art. Karl Hofer died on 3 April 1955 in Berlin. Today, his oeuvre is regarded as a major contribution to twentieth-century German art, uniquely uniting classical tradition with modern expressive force.

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All images by Karl Hofer

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